Closet Core Patterns

Closet Core Patterns Sienna Maker Jacket

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Buy the Sienna Maker Jacket sewing pattern from Closet Core Patterns. Sienna is a chic utility jacket inspired by vintage French workwear. Designed for hard-wearing use by makers and artists, it functions as both stylish outerwear and a highly practical layer for use inside the studio.

With a slightly dropped shoulder, Sienna features a crisp notched collar which can be worn buttoned at the neck with an optional snap button. It is unlined and finished with durable seams. Views A and B feature deep hip pockets, a hidden breast pocket and waist-cinching belt with a D-ring closure that can be worn closed, or open by looping the belt in the opposite direction. View A hits at mid thigh and View B ends at the upper thigh. View C is a short chore jacket with a button closure, optional sleeve pockets, and a back button placket.

This sewing pattern is available to buy in the following format:

- PAPER (next working day dispatch on orders and FREE UK delivery over £50)

Suggested fabrics: Durable woven fabrics like denim, twill, canvas and heavyweight linen.

Fabric requirements:

45" (1.14 m) wide fabric: View A: Sizes 0-8 = 3.75 yd (3.5 m) / Sizes 10-14 = 4 yd (3.75 m) / Sizes 16-20 = 4.5 yd (4.1 m) // View B: Sizes 0-8 = 3.5 yd (3.2 m) / Sizes 10-14 = 3.75 yd (3.5 m) / Sizes 16-20 = 4 yd (3.75 m) // View C: Sizes 0-8 = 2.75 yd (2.5 m) / Sizes 10-14 = 3 yd (2.75 m) / Sizes 16-20 = 3.25 yd (3 m).

58" (1.5 m) wide fabric: View A: Sizes 0-8 = 3 yd (2.75 m) / Sizes 10-14 = 3.25 yd (3 m) / Sizes 16-20 = 3.5 yd (3.2 m) // View B: Sizes 0-8 = 2.75 yd (2.5 m) / Sizes 10-14 = 3 yd (2.75 m) / Sizes 16-20 = 3.25 yd (3 m) // View C: Sizes 0-8 = 2 yd (1.85 m) / Sizes 10-14 = 2.25 yd (2 m) / Sizes 16-20 = 2.5 yd (2.3 m).

Sizing: 0 – 20 (approx. UK 6 – 20, based on our standardised size chart). Please also check the designer’s size chart and finished garment measurements.

This size range is based on a B cup bust and an average height of 5’6″. Please note that B cup does not refer to bra sizing, but rather to the difference in inches between high and full bust. A 2″ difference between those measurements is equivalent to a B cup.

Notions: Lightweight non-stretch fusible interfacing // Views A and B only: D-rings or belt slider (1.5"/38 mm) // View C only: nine 5/8"-3/4" (16-19 mm) buttons or snaps; 0.25 yd/m of pocket lining // Optional: one snap button set for collar; bias tape for finishing seams; 5"/13 cm twill tape or ribbon for hanging loop; topstitching thread.

Note: This pattern is available in an expanded size range on the designer’s website (PDF only).

If you're looking for more maker inspiration, check out the latest sewing pattern reviews from the sewing community. We also have a sewing blog to keep you up to date with all the news from the world of sewing.

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Customer Reviews

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M
MingMakes
Super Sienna!

I really like this jacket and have a bumper blog post here with many more photos and details. Below is the ‘short’ version!

I sewed this on a course with Lynda Maynard which was brilliant, like a detailed sewalong with lots of hints and tips for a professional result. There is a sewalong on the Closet Core website.

Sizing

My measurements matched size 4 most closely, but this ended up being too tight around the bust. I attribute this to a larger upper bust measurement than full bust, and so I re-cut a size 6 to allow for more ease. It was pretty roomy around my back and knowing it was to be a loose-fitting jacket, I didn't do any further adjustments to this but it’s something I might consider if making it again.

I lengthened it by 4cm and omitted the inside breast pocket.

Fabric

12oz (410gsm) organic cotton sanded twill in ecru from Merchant & Mills. It has a lovely brushed finish and is a good weight for this jacket.

I used Vilene H410 fusible interfacing for convenience having never used sew-in interfacing before (Lynda’s much preferred method), mostly to keep it simple for my first jacket, but her videos go through all the steps for pad stitching so I may consider this for a future version. I cut the interfacing down to remove the seam allowances to reduce bulk.

Fitting adjustments

I put together a separate post on all my fitting adjustments here.

I had front neckline gaping on my toile with an excess of 1.5cm, which I managed to remove quite nicely using this technique from Alexandra Morgan  where you essentially distribute the excess into the surrounding seams - the shoulder, centre back/front and armhole. What I managed to forget until I finished the jacket was to adjust the collar pieces to match the reduced neckline. It seemed to look OK, but I did have an issue with the collar standing away from the back of my neck on my toile. I don’t know whether this had anything to do with it. 

I got round this issue by trying to compensate for a lack of a rounded back adjustment by using a smaller seam allowance on the back piece at the neck. The thicker fabric of the finished jacket versus the calico also made it look a lot better. I fiddled with the roll line here for the best result and put a few small stitches under the collar to secure it in this position. 

During construction of the jacket, I decided to rotate the sleeve by 1.5cm to ease some of the wrinkling at the front of the upper sleeve, which meant the top of the sleeve head now sat more towards the back. The pieces were already cut out by this stage so I just flattened the curve on the sleeve head that now sat against the back armhole and this seemed to do enough. It did mean the underarm seam of the sleeve sat more forwards but it looked OK to me.

Belt

Lynda recommended doing channel-stitching on the belt and loop. This helped reinforce it but also made it look really lovely. 

The belt and D-rings are a lovely feature but it’s a little awkward if wearing the jacket undone. You either have to roll the belt up into the pocket or tie it round the back leaving the front flapping open slightly. I have also seen others put belt loops on the inside to thread it through there, or make it a normal tie belt.

Seam finishes

I did flat felled seams on the shoulder, and Hong Kong binding everywhere else. It was my first time doing this and I was amazed with how beautiful it looked on the inside, especially with leftover Liberty lawn. It was a bit tricky doing this inside the sleeves but it was manageable with allowing the end of the sleeve to bunch up and sewing towards the middle from either end.

Topstitching

I enjoyed all the topstitching, going on the slowest speed setting and using a walking foot. I was nervous of the topstitching looking wonky in places so either drew the line to follow with a water-dissolvable marker (Prym aqua trick marker), or used a makeshift seam guide (rectangular plastic cap secured with washi tape). This was preferable to following the edge of the facings which weren’t necessarily as straight.

Pockets

Lynda went through various pocket choices and how to line them, and I loved this extra luxury touch. With these being my first patch pockets, I hadn’t appreciated how much it takes to get them symmetrical! I didn’t quite manage it, but it’s not noticeable. I omitted the inside breast pocket partly because I didn’t want additional bulk here, but also because the stitching would be visible on the outside and the chances of me getting it beautifully straight and square were slim. I wrote a separate blog post about how I lined the pockets here. 

Collar

I found the notched collar tricky because it relies on absolute precision in cutting, marking and sewing. I ended up with a small tuck on one side so unpicked and handstitched this for more control.

I’m not sure it was in the instructions, but I handstitched the facing/upper collar seam to the back/under collar so they would remain together when using the hanging...

S
Sew Atelier M
The perfect jacket for layering

Following the the success of making the long belted Sienna Maker jacket, I decided that I just had to make the short chore version. It seemed the perfect shape for wearing over sweaters in the spring and autumn months.
Incorporating large patch pockets, this jacket has great style and is supremely practical.
The jackets is unlined and so requires the seams to be finished using French or Hong Kong seams, as they are exposed.[gallery ids="563885,563886,563887"]

 

I used a medium weigh denim, it seemed the natural choice for a workwear jacket. I used a cotton gingham to line the sleeve pockets and make the bias binding.

The Sienna Maker jacket is a fairly straight forward jacket to make. The shape is simple and unstructured, there are no darts and it is unlined. It is good project for someone with moderate sewing experience.
The jacket is great worn over T-shirts, and yet is lose and roomy enough to wear over chunky sweaters. A great all season jacket for layering. I will certainly be making other versions.

You can read more about it on my blog if you are interested:  https://www.sewatelierm.com/why-you-should-make-the-sienna-maker-jacket/

Or on Instagram: sew.atelier.m

 

S
Sew Atelier M
The first of many

All the coats in my wardrobe seem so formal: I was lacking a casual coat to wear with jeans and sweaters.
The Sienna Maker jacket by Closet Core seemed like the perfect solution. I had this pattern on my wish list for quite a while. When I was finally able to purchase and obtain the pattern I could not wait to begin sewing!
The long Sienna Maker jacket is a fairly straight forward jacket to make. The shape is simple and unstructured, there are no darts and it is unlined. Finally  there are no button holes to fit, and so it is good project for someone with moderate sewing experience.
I have to admit that I love the finished jacket and have received many compliments when wearing it. It really is different to anything readily available and certainly worth the effort to make.
The jacket is great worn over T-shirts, and yet is loose and roomy enough to wear over sweaters. A great all-season jacket for layering. 
.
I find that I struggle as to what to do with the belt when not tied. It can apparently be looped in the opposite direction. I tend to roll it and place it in a pocket. I do have a couple of ideas for alternative solutions to this issue, that I plan to experiment with in my next make, so watch this space!
All in all I am very pleased with this jacket and will certainly be making further versions.

you can read all about it if you wish @ https://www.sewatelierm.com/my-insider-tips-on-making-the-sienna-maker-jacket/

E
Eliza-sew-little
2 versions so different

Bought pattern for short jacket but when I saw this ready quilted and  lined fabric I knew I wanted a long version. I lengthened it by 10” and didn’t add the extra front pocket. I made size according to my measurements with usual body adjustments. I lengthened the body tapering out but could perhaps have had more width.

I bound all the inner seams. It took ages! And I needed to buy more thread twice! I omitted the interfacing in the collar as this is bulky fabric. I also understitched the facing from belt downwards to help it lie flat and did not top stitch it down as the visible line of stitching broke up the onion pattern on the quilting.

Its fab. I enjoyed making it and love wearing it. What more could you ask for?

the only part I’m uncertain about is the belt which needs threading through every time. If that gets too annoying I’ll add some poppers.

But so far it’s been fine.

E
Eliza-sew-little
2 versions so different

Bought pattern for short jacket but when I saw this ready quilted and  lined fabric I knew I wanted a long version. I lengthened it by 10” and didn’t add the extra front pocket. I made size according to my measurements with usual body adjustments. I lengthened the body tapering out but could perhaps have had more width.

I bound all the inner seams. It took ages! And I needed to buy more thread twice! I omitted the interfacing in the collar as this is bulky fabric. I also understitched the facing from belt downwards to help it lie flat and did not top stitch it down as the visible line of stitching broke up the onion pattern on the quilting.

Its fab. I enjoyed making it and love wearing it. What more could you ask for?

the only part I’m uncertain about is the belt which needs threading through every time. If that gets too annoying I’ll add some poppers.

But so far it’s been fine.